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Dual Functionality: As pioneers of dual functionality, we have ensured
that every detail of the concept has been carefully implemented
with no controls redundant in either mode. When mixing Front-of-House,
the monitors can be set pre-insert as well as pre-EQ to prevent
your house mix EQ and compression affecting the stage mix. Per channel
aux switching means you can mix pre-fade with post-fade sends such
as theatre radio mics and sound effects. As a monitor console, the
aux masters get faders, inserts, mutes, meters and balanced XLR
drive. You even get a fader controlled engineer' wedge feed. The
Groups and LR mixes are still available to create yet more sends.
In monitor mode the GL2400 can provide up to 10 mixes, for example
6 wedge and 2 stereo IEM. Performance: Our new mic preamp has an extended 74dB gain range
with massive headroom able to deal with the widest range of signals
right up to +34dBu. From our new low-noise mix amp through responsive
4 band EQ to the differential balanced +26dBu outputs, every stage
has been carefully designed to ensure optimum gain structure and
the best sonic performance possible. Third Fader: There are three master faders on the GL2400. Our
configurable M fader lets you create an LR sum mono fill, an engineers
monitor wedge feed, or a dedicated centre or sub-bass speaker mix
from Aux 6 which means you can dial in exactly what you need from
each channel. L, R and M each provide a dedicated meter, mute, AFL
and balanced XLR output. 7x4 Matrix: The matrix is a big feature for corporate AV work,
specialised recording and broadcast feeds, and personal monitoring.
Smart auto-switching of the external inputs lets you add a common
mono, stereo or independent sources to the matrix. Cross patch from
the stereo channel mic breakpoints to add room ambience to your
recording and IEM feeds. Dual Stereo Channels:
These two multi-function channels provide a mic
and 2 stereo line inputs each. Use the channels as mic inputs while
the 4 stereos are independently routed to LR, or combine stereo
sources such as backing tracks and reverbs while the mics are patched
elsewhere, or use conventional stereo channels while the second
inputs provide additional returns and the mics patch into the matrix
for ambience.
True versatility in a tiny space...
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